Archive for the ‘film and arts’ Category

Professor Advocates Christian Social Activism

Professor Advocates Christian Social Activism in Keynote Speech Delivered at Medieval Studies Conference

sacred-heart-churchWhat ordinarily comes to mind when one thinks of a lecture about medieval Europe is a talk a lot less relevant to present-day worldly concerns than the keynote speech recently delivered by Professor Celia Chazelle at a conference held at University College Cork entitled “Envisioning Christ on the Cross.” Chazelle, who chairs the Department of History at The College of New Jersey, had been invited to Ireland to speak about “The Mass and the Eucharist, ‘Image’ of the Crucified Christ, in the Christianization of Early Medieval Europe.”

While the bulk of her otherwise academic address certainly explored that topic at considerable depth, she prefaced her remarks by reading a poem by her Irish-born pastor, Father Michael Doyle, about the seeming futility of the never-ending fight to eradicate the suffering evident in his midst. For 35 years now, Doyle has presided over Sacred Heart Church in Camden, the poorest city in the US, where over 90% of the population is black and Hispanic.

With the assistance of volunteers like his dedicated parishioner Celia Chazelle, Doyle’s been directly ministering to the needs of the poor via a number of Sacred Heart-based organizations, among them the church’s St. Vincent de Paul Society and affiliated Heart of Camden. These sponsor a weekly dinner, a thrift store, building and home renovations, and a variety of other social programs. Another affiliated organization, the Center for Transformation, oversees a greenhouse, community gardens, and neighborhood cleanups, engages in environmental education and activism in the area, and is in the final stages of establishing a retreat center. All this is located right within Camden’s deteriorating exoskelton.

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The End of Poverty? [DVD Review]

DVD Discusses Paradox of Poverty in Era of Unparalleled Wealth

 end-of-povertyWhy have so many Third World countries remained impoverished and underdeveloped even after gaining their independence from the European nations which had conquered and colonized them? This is the basic question addressed by The End of Poverty, a damning documentary offering a history lesson about the ugly underbelly of Western Civilization from 1492 up to the present.

For not long after Columbus “discovered” America, European countries began descending on the so-called New World, using both the bullet and the Bible to bend assorted indigenous peoples to their will. The Dutch focused primarily on Asia while the English assured themselves that the sun would never set on the ever-expanding British Empire. Even the Pope got into the act, awarding Africa to Portugal and South America to Spain by papal decree.

 The basic thesis of the luminaries lending their insights to this thought-provoking project is that for 500+ years, white people have extracted the resources and oppressed the natives living in lands located in the planet’s Southern hemisphere. And that unfair economic relationship never changed substantially at the end of the era of colonization, since in most countries a handful of families continued to own the bulk of the business interests and the majority of productive real estate. 

 Former CIA consultant Chalmers Johnson indicts that Agency for serving as the private army of a succession of American presidents. He specifically alleges that the CIA was behind the assassination of a long list of populist leaders. Similarly, John Perkins, author of “Confessions of an Economic Hit Man,” owns up to his role in the overthrow of numerous Third World rulers in order to replace them with corrupt puppets handpicked by the U.S.

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Weekly Movie Reviews/Releases

BIG BUDGET FILMS

The Back-up Plan (PG-13 for profanity, crude humor and sexual references) Biological clock comedy revolving around a single woman (Jennifer Lopez) who conceives twins via artificial insemination on the very same day she finally meets the man of her dreams (Alex O’Loughlin). Cast includes Anthony Anderson, Robert Klein, Tom Bosley, Linda Lavin, Eric Christian Olsen and SNL alumna Michaela Watkins.

The Losers (PG-13 for profanity, sensuality and intense violence) Action-oriented adaptation of the DC Comics series, revolving around an elite, U.S. Special Services unit on assignment in the Bolivian jungle where they join forces with a mysterious operative (Zoe Saldana) while engaging a diabolical adversary (Jason Patric) bent on world domination. Cast includes Idris Elba, Columbus Short, Chris Evans and Jeffrey Dean Morgan.   

INDEPENDENT & FOREIGN FILMS

Behind the Burly Q (Unrated) Actress Leslie Zemeckis, wife of Oscar-winning director Bob (for Forrest Gump), makes her own directorial debut with this revealing documentary revisiting the Golden Age of Burlesque, America’s most popular genre of live entertainment in the 20th Century until the advent of TV. Features file footage and dozen of interviews with historians and dancers like Blaze Starr, Tempest Storm and the incomparable Evangelina the Oyster girl.  

Boogie Woogie (Unrated) Gillian Anderson and Alan Cumming co-star in this British sitcom based on Danny Moynihan’s novel of the same name revolving around the cannibalistic behavior inside London’s art world, a cutthroat community populated by corrupt dealers, shallow agents, narcissistic artists and sexual predators. With Heather Graham, Charlotte Rampling and Christopher Lee.

Breath Made Visible (Unrated) Reverential bio-pic chronicling the career of the legendary Anna Halprin, the dance pioneer who established America’s first integrated company, and whose revolutionary approach incorporated the art form’s power to heal, teach and transform. Director Ruedi Gerber deftly blends contemporary and archival footage of both performances and interviews

Oceans (Unrated) Eco-friendly documentary, narrated by Pierce Brosnan, exploring the mysterious wonders and rapidly-vanishing species of the sub-aquatic world covering three-quarters of the Earth’s surface.

Paper Man (R for profanity and sexuality) Midlife crisis comedy about a never-published novelist (Jeff Daniels) who befriends a troubled teenager (Emma Stone) much to the chagrin of his long-suffering, MD wife (Lisa Kudrow) and his imaginary friend (Ryan Reynolds). Cast includes Kieran Culkin, Arabella Field and Hunter Parrish.

Divas on Screen [Book Review]

Divas on Screen:
Black Women in American Film
by Mia Mask
University of Illinois Press
Paperback, $25.00
320 pages, Illustrated
ISBN: 978-0-252-07619-0

“By examining the persona of five African-American women celebrities, Divas [on Screen] seeks to push the divas-on-screendiscussion of African-American celebrity beyond the ‘good, politically progressive role model’ versus ‘bad, regressive black stereotype,’ binary that stifles dialogue and divides scholars. Instead, the ensuing chapters address how African-American celebrity functions as a social phenomenon. This is not to minimize the prevalence of racial stereotypes in the 21st Century…

But the focus of Divas is slightly different. It asks: what can we learn from the complex and contradictory careers of successful black women? Where do we find African-Americans in the performative, ‘other-directed,’ narcissistic culture? What does African-American stardom as a social phenomenon reveal about the aspirations of black folks in the 21st Century? How have African-Americans—in their struggle for inclusion in commercial entertainment—complied with dominant culture?”

-- Excerpted from the Introduction (pg. 4)
 
 VassarProfessor Mia Mask has both a bigger vocabulary and a higher IQ than I do, judging by how often she had me reaching for the dictionary and by the many, marvelous insights about cinema she makes that had never occurred to this film critic before. So consider this a fair warning: this sage sister’s book, “Divas on Screen: Black Women in American Film” is not light reading but an academic enterprise of considerable substance. That being said, those willing to make the intellectual effort are likely to find themselves richly rewarded by the author’s fresh perspective, priceless pearls of wisdom and impressive background in terms of the cultural, biographical and historical contexts.

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Weekly Movie Reviews

BIG BUDGET FILMS
 
The Back-up Plan (PG-13 for profanity, crude humor and sexual references)
Biological clock comedy revolving around a single woman (Jennifer Lopez) who conceives twins via artificial insemination on the very same day she finally meets the man of her dreams (Alex O’Loughlin). Cast includes Anthony Anderson, Robert Klein, Tom Bosley, Linda Lavin, Eric Christian Olsen and SNL alumna Michaela Watkins.
 
The Losers (PG-13 for profanity, sensuality and intense violence) Action-oriented adaptation of the DC Comics series, revolving around an elite, U.S. Special Services unit on assignment in the Bolivian jungle where they join forces with a mysterious operative (Zoe Saldana) while engaging a diabolical adversary (Jason Patric) bent on world domination. Cast includes Idris Elba, Columbus Short, Chris Evans and Jeffrey Dean Morgan.    
 
 INDEPENDENT & FOREIGN FILMS
 
Behind the Burly Q
(Unrated) Actress Leslie Zemeckis, wife of Oscar-winning director Bob (for Forrest Gump), makes her own directorial debut with this revealing documentary revisiting the Golden Age of Burlesque, America’s most popular genre of live entertainment in the 20th Century until the advent of TV. Features file footage and dozen of interviews with historians and dancers like Blaze Starr, Tempest Storm and the incomparable Evangelina the Oyster girl.  

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Death at a Funeral [Film Review]

A-List Cast Squandered in Blackface Remake of Brit Farce

Death at a Funeral sounds like a classic case of a production that probably sounded like a “can’t miss” when its death_at_a_funeral_posterassorted elements were being pitched to studio execs. First of all, it’s a remake of a recent British hit which quintupled its $9 million budget at the box office.

The fact that the original was just released in 2007 wouldn’t be a problem, theoretically, because they’d be going after a different demographic, as this version would feature a predominantly African-American cast. Furthermore, not just any black actors would be asked to execute this dark comedy, but a trio of A-list comedians in Chris Rock, Tracy Morgan and Martin Lawrence, plus a bevy of accomplished thespians like Keith David, Zoe Saldana, Danny Glover and Loretta Devine.  

And the icing on the cake that got it greenlighted involved attaching art house crowd darling Neil LaBute to the project, the director of such critically-acclaimed indies as In the Company of Men and Your Friends & Neighbors. Unfortunately, while all of the above must’ve looked great on the drawing board, this blackface variation on the theme adds up to far less than the sum of its parts.

Here’s why. Rather than overhaul the screenplay to appeal to an African-American sense of humor, LaBute opted to recycle one designed to tickle British fancies. Consequently, Messrs. Rock, Morgan and Lawrence seem almost shackled sticking to a script which allowed them little room to improvise or to horse around in their trademark styles.    

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